Naai Sekar Evaluation: Regardless Of Sathishs Finest Efforts, This Film Is A Wreck
But all this does is make us smile sadly, filling us with nostalgia of his mythos that we as quickly as knew and loved. Vadivelu’s Naai Sekar Returns has a plot that’s new in some ways. Having a protagonist who is a dog kidnapper is enough sufficient to tug off a good entertainer. However, Suraaj fails miserably to infuse interesting elements and subplots to carry our curiosity, and does not even evoke laughter .
Later, Sekar kidnaps his dog “Jackie” and is just about to flee when Max catches him. Sekar says that “Jackie” is his dog Bhairavar and he has come to take his dog. Max takes out his gun, but hemant shah real life photo Bhairavar bites him on his hand, inflicting Sekar to take the gun and shoot Max in the same manner and spot he shot Dass.
And a handful minutes later you get one more humorous sequence and the cycle retains repeating. Better consistency would have made us overlook the flaws while laughing our hearts out. If comedy is a trainwreck, the screenplay is a disaster. I discovered myself anticipating with great hope that each body with Sathish and a few gap on the right be the interval block.
Even with that, I wasn’t prepared for the onslaught of canine poop that was about to be thrown at my face. But in a film anchored by Vadivelu, Anandraj will get top-of-the-line tracks — as crass as his story begins . Anandraj is Dass, the deadliest rowdy in all of Chennai, with a gentle spot for his pet bull dog.
What writer-director Kishore Rajkumar does is, he lists down the traits that a dog has, after which writes one humorous scene for every trait. So there is a scene involving Sathish leaping into a huge dustbin outdoors his IT workplace to eat a quantity of hen bones. Doing this is not wrong, however this comes on the expense of coherence between scenes. The movie looks like a bunch of attention-grabbing scenes put together but much less satisfying as a complete product. Now we might not trouble questioning the logic had the comedy scenes in the film been persistently humorous. Instead we get one outrageously humorous sequence adopted by a extreme drought for humour.
Also, the very fact is that audiences are fed up watching Manobala and Swaminathan taking part in the same managers repeatedly. The movie might have been marginally less underwhelming if only director Suraj hadn’t tried to infuse pathos by way of the magical husky. Parachuted right into a slapstick comedy out of nowhere, the pathos doesn’t stick.
At the one end, the mad scientist who enables this man-dog-exchange, is a Rajinikanth fan, naming his pets and tasks after the actor’s films. At the other finish, Manobala just plays the identical role — of a loserly creep — that he is played a gazillion occasions earlier than. Somewhere in the middle is composer Ganesh, of Shankar-Ganesh, plays a singing villain to unconvincing effect. It is well-known that Vadivelu’s comedy received the love of people past the technology hole.
Santhosh Narayanan aids Naai Sekar Returns with his cool background score and peppy songs. Vignesh Vasu’s digital camera work and Selva RK’s enhancing was neat. Umesh J Kumar did noteworthy art work in Vadivelu’s hideout place. The views expressed in feedback printed on newindianexpress.com are those of the remark writers alone. Newindianexpress.com reserves the best to take all or any comments down at any time. On the opposite hand, in Naai Sekar, we have Redin Kingsley, Shivangi, and Prashanth, who fail to rise as a lot as the challenge.
The second half of the film follows Naai Sekar’s exploits as he tries to save lots of his family dog from Max, a now-powerful kingpin in Hyderabad. The plot of Vadivelu’s Naai Sekar Returns is novel in many respects. It is sufficient to have a protagonist who kidnaps dogs to hold off a good show. The movie’s screenwriter, nevertheless, utterly fails to include compelling options and subplots to keep the audience engaged.
Cinematographer Vignesh Vasu and cinematographer Selva RK weren’t tasked with the film.” Vadivelu is a famend actor, comedian and playback singer in South Indian movies. Fondly referred to as ‘Vaigai Puyal’ by the fans and film fraternity, he is a legend in Kollywood with big stardom. After a hiatus, the Imsai Arasan actor has now returned to the large screens with the comedy movie ‘Naai Sekar Returns’.